Post a Comment. Thursday, 24 October Che Guevara on Advertising. Part 2. Continued from Part 1. Let us repeat this extremely important conclusion: in the same way as a viewer who does not wish to watch the advertisements switches between television channels, instantaneous and unpredictable technomodifications switch the actual viewer to and fro. Assuming the condition of Homo Zapiens, the viewer becomes a remotely controlled television programme. And he or she spends a significant part of his life in this condition.
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The following is an exegesis of a novel by Victor Pelevin. I highly recommend reading it, as it is very short. Inside, you will find a formula for fashioning effective hypersigils. One can even say that Tatarsky is a simulacrum of Pelevin, as Pelevin worked as an advertising copywriter at roughly the same time that Tatarsky does, and is similarly interested in its workings.
Published in , it tells the story of Babylen Tatarsky, a Moscow ' creative ' and advertising copywriter. The story deals with themes of post-Soviet Russia , consumerism , recreational drug use , and Mesopotamian mythology. A film adaption by Victor Ginzburg was released on 14 April The novel is set in Moscow in the Yeltsin years, the early s, a time of rampant chaos and corruption.